KEENING: The Song of the Stranding

Multidisciplinary Art Project Commemorating a Whale Stranding in the Outer Hebrides

Visual Artist: Sam Gare | Musicians: Nerea Bello, Alex South, Katherine Wren Choreographer: Aya Kobayashi | Audio: Aoife Glass & Francesca Turauskis

On the 16th July 2023 a mass stranding of 55 Long-finned pilot whales occurred at Traigh Mhor at North Tolsta on the Isle of Lewis, what followed was more than an eight-hour fight to try and refloat the surviving mammals. During those eight hours the beach became a place where two species, from very different worlds, met and fought for life.

In July 2025, the beach at Traigh Mhor, Isle of Lewis, will transform into a poignant site of remembrance and performance. Keening - The Song of the Stranding commemorates the tragic mass stranding of 55 long-finned pilot whales in 2023, blending music, dance, and visual art in a deeply collaborative project. 

 The performance, informed by scientific research and local workshops, will culminate in a communal act of creating sand sculptures of whales, led by visual artist Sam Gare and choreographed by Aya Kobayashi. As the tide reclaims the sculptures, music composed by Alex South, Nerea Bello, and Katherine Wren will blend the haunting vocalisations of pilot whales with the Gaelic and universal tradition of lamentation, keening - a vocal lament for the dead, forging an emotional connection between community, art, and nature. The performance will also feature life-size cardboard whales, created by local schools and the community during earlier workshops, in celebration of the lives of the whales.

Summer 2025

‘Whale’s Way’ School Workshops
Isle of Lewis & Isle of Harris

Through discussion, art, and performance, pupils will delve into the underwater world of whales

May 2025

‘Whale Tales’ Oral History and Storytelling Workshops (in English and Gaelic)
Isle of Lewis

Storytelling of personal and cultural connections to whales—whether grounded in fact, fiction, or folklore

Saturday 12 July 2025

The Keening
Traigh Mhòr Beach (Tolsta Beach), Isle of Lewis

Live artwork and musical performance

An Invitation to Participate

Call for Stories – Whales, Memory & Tradition

We are gathering stories, memories, and folklore about whales—past and present.

Were you impacted by the mass stranding of 55 Long-finned pilot whales on Traigh Mhor Beach, Isle of Lewis, 16 July 2023?

Do you have stories of other whale strandings, personal encounters with whales, or knowledge of local traditions, songs, and folklore about them?

We invite you to share your voice. Whether you witnessed the 2023 stranding firsthand or carry a connection to whales through local traditions or personal experience, your testimony will help shape an artistic commemoration taking place on 12 July 2025. Your testimony will help deepen our understanding of the bond between community, culture, and these remarkable creatures

What we’re looking for:

🐋 First hand memories of the 16 July 2023 whale stranding at Traigh Mhor

📖 Stories, songs, and folklore about whales in local tradition

🌊 Encounters with whales—past or present

How to contribute:

🗣️ Share your testimony in person, or in writing

📅 Gathering Spring/Summer 2025 at a time and place that suits you

📝 Anonymous or credited contributions welcome

To take part please complete the below form or email direct and we will be in touch

In the months leading up to the event, the project will host a range of workshops for schools and the community. The work is being created with the public, where community involvement is at its core. Every element has been carefully considered to foster meaningful engagement, providing opportunities for individuals to connect with the landscape, each other, and the act of collective expression. The project reflects on our intertwined existence with marine life, mourning loss while celebrating their lives. Through shared experience and collaboration, the work becomes a living, evolving testament to communal storytelling, reflection, and the power of coming together to honour our connection to different species.

Sharing your Stories: We invite the community to share testimonies about the stranding, preserving personal stories and collective memories for future generations - further details below

‘Whale’s Way’ Imagining the lives of Whales Workshops: Pupils and public will explore the life of whales, creating life-size cardboard cut-outs painted with scenes of their underwater journeys, which will be incorporated into the live event.

Movement Workshops: For those who would like to be part of the sand casting

Community members and visitors are warmly invited to join the live event, whether by helping create sand sculptures, sharing their story, reflecting on the lives of the whales, or simply bearing witness to the commemorative performance.

Full details will be announced in Spring 2025.

  • Visual Artist

    Sam is a landscape artist based on the Isle of Harris, with work represented in galleries across the UK. Her practice explores our deep connection to the land, using art as a bridge between nature, culture, and science. Beyond creating evocative landscapes, she is evolving her work to contribute meaningfully to environmental awareness, citizen science, and public engagement.

    Sam’s projects are designed to be participatory—bringing people into the landscape to learn, collaborate, and share knowledge. She integrates fieldwork with artistic expression, drawing on local culture and ecological insights to illuminate both the beauty and the challenges facing our natural world.

    A committed advocate for art’s role in environmental discourse, Sam is a Co-Founder of the Wilderness Art Collective and an ambassador for the Wilderness Foundation UK. Her work has been featured in major exhibitions, art fairs, and media outlets, and she frequently collaborates with scientists and conservationists to inspire deeper connections with the wild.

    Landscape Painting Website

  • Singer

    Nerea Bello is a Basque singer/performer and jewellery maker based in Scotland who moves seamlessly between solo, collaborative and theatre work. Nerea is passionate about rediscovering forgotten sounds and unearthing old ways of singing, celebrating the sound of raw, unadulterated voices that can fearlessly express vulnerability and emotion. She has a similar approach to her jewellery making, bringing forgotten and discarded materials to her jewellery and object creation. Nerea is happiest when working in collaboration.

    Website

  • Musician, Researcher, Composer

    Based in Glasgow, Scotland, Alex is a Postdoctoral Fellow at the Institute for Advanced Studies in the Humanities (University of Edinburgh), where his research is focused on ethical questions arising from the human use of the sounds of other animals for aesthetic or scientific purposes.

    His interdisciplinary PhD, Cetacean Citations, combined practice-led research from the perspectives of ecomusicology and zoömusicology with bioacoustical studies on humpback whale song. He has published on animal culture, biomusicology, and ecomusicology, and teaches on undergraduate music courses at the University of St Andrews and Royal Conservatoire of Scotland.

    Alex regularly plays clarinet and bass clarinet with Glasgow Improvisers Orchestra, Collective Endeavours, and Ensemble Thing. His compositions have been performed by Glasgow Improvisers Orchestra, Sequoia, and St Andrews Chamber Orchestra, and featured in ‘The Musical Animal’, broadcast in 2022 in Canada by the CBC. A collaboration with Katherine Wren (Nordic Viola) inspired by Lesley Harrison’s poem, CETACEA was praised by The Wire for its “keening lines of whale song; a beautiful study”.

    Website

  • Musician

    Katherine Wren founded Nordic Viola in 2016 to explore the relationship between
    contemporary and traditional music of the Far North. The islands of the North Atlantic share musical and cultural connections and Katherine shares contemporary reflections, traditional melodies and personal testimonies that are shaped by her experience of travelling through these vast northern landscapes.


    Over the last few years, Katherine has increasingly worked as an improviser and cocreator with a range of composers. Most recently she recorded an album, On A Wing and A Prayer - Reflections on Deeside's Changing Habitats with music created alongside composers Pete and Joe Stollery. This is due for release on 6th Feb 2025. She was also commissioned alongside Shetland composer and improviser Renzo Spiteri and Greenlandic composer Arnannguaq Gerstrøm to produce "Arctic Edgelands" for Nordic Music Days in Glasgow.


    In Jan 2025 Katherine Wren returned to Iceland to improvise and perform with Scottish/Icelandic composer Charles Ross. The pair have previously performed in Mengi, Reykjavik and Egilsstaðir, East Iceland. Katherine has previously worked alongside Irish composer Karen Power, performing her "Sonic Cradle" as part of Sound Festival 2021.

    Music inspired by the environment has run as a thread through Nordic Viola's work since its inception. Much of the influence for her improvisations comes from her deep connection to the landscape, often travelling by bike and foot. Her project "On A Wing and A Prayer" is ongoing and now includes a series of sound/art workshops focusing on changing habitats with local communities.


    Katherine is acutely aware of how climate change is affecting Far North habitats, noticing the decrease in summer sea ice since she first visited Greenland in 2015 and witnessing humankind's increasingly heavy footfall in the Northern Isles. As awareness of and engagement with the climate crisis grows, she is keen to expand Nordic Viola's repertoire through conversation, improvisation and performance with composers who live or work close to endangered habitats.

    Website

  • Dance Artist, Choreographer

    Aya is a Glasgow-based independent dance artist. She often teaches, performs and choreographs on various companies and communities.

    Born in Japan, she began ballet training at an early age to help her pigeon toes for walking. She found her passion in dance and trained at Showa Music and Art College (Tokyo). She then relocated to the UK and continued her training at Rambert School and Chichester University for MA.

    She performed with various artists/companies such as Yael Flexer, Rosemary Lee, Charlie Morrissey, Gecko Theatre and Scottish Dance Theatre. She is a member of Collective Endeavours and practices improvisation performance.

    At the heart of her work is inclusion. Between 2019-2023, she was leading Barrowland Ballet’s intergenerational company Wolf Pack. She has worked with various inclusive companies and communities such as Anjali, Indepen-Dance, Stop Gap and Paragon. Aya also works as a movement director for Tricky Hat Production, helping brilliant life stories shine on stage. She teaches inclusive workshops internationally.

    She is a lecturer at the Royal Conservatoire of Scotland and teaches weekly professional classes hosted by The Work Room which she dedicates to the dance community in Glasgow.

    She often works with galleries such as Tate, V&A Museum of Childhood and Tramway, to lead education workshops and participatory performances. She also enjoys creating outdoor and site-specific work and exploring the possibility of movement in public places. Her works have been presented in the UK and abroad at locations including The Place, Paralympics 2012 torch relay ceremony, Cairo, Madrid, Tokyo, Ofunato (Japan), Mexico and various places in Scotland.

    Website

Project Writings

Project Audio

CETACEA

Alex South, Clarinet and Electronics and Katherine Wren, Viola, inspired by Lesley Harrison's CETACEA, 2020

  1. On the Beach

5 January 2024

2. Thoughts on Strandings

30 January 2024

3. The Museum Specimen

5 Febuary 2024

4. The Connection

27 May 2024

  • "Focusing on creativity and connection, the sand-casting process will reflect the collective physical and emotional effort made by the local community during the original rescue attempt. By casting in sand, we can symbolically breathe life back into these whales, honour their memory and that of the community, before we return them home to the sea”

    Sam Gare, Visual Artist

  • "This project will allow me to explore the musicality of the long-finned pilot whale, whose plangent, ornamented, and repetitive calls are used to negotiate their complex social relationships. I'm really excited to be creating a unique site-specific piece of performance art that we hope will nurture the deep concern held by many for the plight of marine mammals at a time of warming oceans and other anthropogenic threats.”

     

    Alex South, Musician


  • In July 2023, SMASS responded to the stranding of 55 long-finned pilot whales on North Tolsta beach on the Isle of Lewis, which at that time was the largest mass stranding event we had ever responded to. While this is of course a tragic loss of life, these events also provide a very unique opportunity to examine not only why these animals stranded, but also how they lived before the stranding. When Sam and her team reached out about the project we were excited to get involved and contribute the scientific information that underpins the stories of these individual animals that died in the stranding. We are very happy we can share the findings of our research to tell the story of these individuals through Keening: The Song of the Stranding.”

    Mariel T.I. ten Doeschate, Scottish Marine Animal Stranding Scheme (SMASS)

  • “In 1913, the Natural History Museum (NHM), London, became the birthplace for the recording and study of strandings around the British Isles. For more than a century, the NHM Cetacea research collection has been a repository for material collected as part of those studies, holding skeletons and casts of animals whose lives ended on our shores. Sam Gare’s work reminds us of the human/animal interactions and emotions generated by the loss of these lives. It’s fitting that Sam is working directly with material from the NHM.”

    Richard Sabin, Principal Curator, Mammals, Vertebrates Division, Natural History Museum (NHM), London

Connect with Us


We’re embarking on a journey of research and community engagement to better understand the facts and emotions surrounding the stranding event. Whether you’d like to share your thoughts, personal experiences of this or other strandings, local knowledge about whales and dolphins, or general insights—we’d love to hear from you. Let’s start the conversation!

This project was made possible by Creative Scotland’s Open Fund, Hope Scott Trust, Royal Conservatoire of Scotland 'Make It Happen Fund', and Institute for Advanced Studies in the Humanities (University of Edinburgh), and was developed in partnership with Scottish Marine Animal Stranding Scheme (SMASS), and the Outer Hebrides Wildlife Festival, and was developed in the Natural History Museum's Cetacea collection, with Isabel Davis in the Collections and Culture Research theme and Principal Curator in Mammals, Richard Sabin